Post by purplepinay on Jan 13, 2024 23:19:10 GMT
Lilibeth Blossom Oakley
General Information
Full Name:
Lilibeth Blossom Oakley
Codename or Alias:
Lilith; Fox Trot
Anonymity
Lilith? Lilith was just a small town country girl with a wicked "alter-ego" but.. well... she's well past having a normal life her crimes have caught up to her, and her identity, while not yet publicly known there isn't much in the way to keep her true identity a secret
Gender:
Female
Race:
Mutant
Age:
25
Place Of Birth:
Cleveland, Mississippi
Occupation/Status:
She was a free-lance musician but... continuing that life in maximum security isn't the easiest...
Alignment:
She can be forced to do here work but she will always be a villain at heart
Factions:
Suicide Squad
Canon Or Original?:
Original
Powers/Abilities:
While somewhat broad, her powers and abilities can be split into two parts, Vibromancy and Symphokenesis; or musical manipulation. she can use these in tandem, and while there is overlap, each individual power comes with its own set of abilities as well as their own set of limitations that are imposed upon her.
Vibromancy:
as of current, she has the ability to manipulate the molecules of her own body, and the molecules of things of which she touches. it's most notably, limited in range and an active power that is comparably draining. Items touched revert to their original form after just a minute of having left her grip. her ability to maintain the manipulation within her own body can be anywhere between 30 seconds to 20 minutes at a time dependant on how much of her body she is manipulating and she is also only able to manipulate through solid mediums. Vibromancy also gives her a sensitivity of the natural vibrations of the world around her.
seismic manipulation- one of the more basic abilities within her vibrokenetic arsenal, she causes quakes in a general area around her, or in a specific direction up to a maximum of 10 feet and up to a level of 6.5 on the ritcher scale.
heightened senses- through the manipulation of the molecules that lead up to her eyes and ears, she can temporarily increase her sight and hearing giving her the ability to see and hear things that is beyond normal human capacity
Seismic attacks- She is able to agument her punches and kicks, as well as the weapons she is holding with vibrations increasing their overall efficacy by allowing them to do more damage, or making sharp weapons, sharper
phasing- She has the ability to phase through solid objects by modifying the vibrations of the cells within her body. She also has an ability to allow a targeted part of her body for solid objects to phase through and she is able to cause other solid objects to phase through with her, given she has direct contact with said object
seismic absorption and immunity- Fox Trot has the ability to absorb seismic activity to both nullify the damage of the seismic wave and to store the energy to use for later so that she doesn't need to exert energy to use her powers. absorbing the energy is short term, and remains stored for up to 5 minutes. while absorbing this energy nullifies it's damage, she must sufficpiently prepare herself to absorb the impact for it to take effect. (like one would need to be prepped to catch a ball)
detection- Fox Trot is able to detect changes in the natural vibration of the earth she is standing on, however minute from up to 10 feet away
counter vibration- through touch, she is able to use her vibrokenetic abilities to create counter-vibrations and destroy the object in question.
VIbromacy Limitations
Exclusively Solid mediums: Using Vibromancy, she is only able to have her vibrations travel through solid mediums, It is unable to travel through air or water (symphokenesis being the exception)
Dampening effects: Fox-trots vibration power is lessened when travelling through mediums that are water logged
energy extensive: creating vibrations is a manipulation of energy and, for one to be able to create energy, one must exert energy. Vibromancy takes a considerable amount of energy, comparable to intense physical activity
greater caloric needs: Fox-trot requires about an average of 30,000 calories per day to remained well nourished compared to the normal persons 10,000. this results in her needing to eat almost constantly, and this need increases the more she actively uses her vibromacy abilities.
Symphokenesis: More commonly known as musical manipulation, Symphokinesis is the manipulation of soundwaves and music. it is, more or less, an aerial extension of her vibromancy however is normally less physically demanding, comparably. while she can use the power of her voice, most of the abilities are more effective when she has a musical medium, which is usually her guitar. while less energy intensive, using symphokinesis leaves her less mobile and the effects are prone to being disrupted. a fair amount of her abilities are "applied vibromancy" or vibrancy through another medium. In these cases the energy expended is just as notable when using vibromancy when it is not applied to an instrument
Musical attacks: Using Vibromancy, she imbues the instrument she wields and turns it into a weapon. She weaponizes the vibrations caused by playing her guitar and uses it to create a wide variety of attacks from more focused sonic attacks to more AoE styles of attacks
Musical empathetic projection: Fox trot is able to amplify a certain type of emotion in others simply by playing a song. the type of emotion that is brought out is dependant on the song that is played. lullabies can calm others, and pop songs can cause others to get excited.
Musical/voice projection: Fox trot is able to throw their voice or their music out, making it seem like it's coming from a place that is completely different from their true position
Musical healing: by playing or singing a certain tune, Fox Trot is able to relax others, and promote faster healing. This ability only quickens the bodys natural process, and it isn't a magical cure but an aid in the way medicine and bandages aid the bodys healing process, but a bit faster
Sound immunity: Fox trot is immune to sound based attacks, and isn't likely to be fooled by sound based tricks and redirections tactics
sound nullification: Aided by vibromancy, Fox trot has gained the ability to nullify the sounds around her up to 5 feet away, as well as the sounds that her own body makes
amplification: Aided by vibromancy, Fox trot is able to Amplify sound from around her, and make it louder so that a whisper sounds like a normal conversation, or a normal conversation can become a deafening yell to those around her
pitch Perfect: Fox trot has the ability to recognize and hear all pitches, even those outside the normal human range of sound. Fox trot is also able to perfectly emulate any pitch shes ever heard, and thus able to mimic the voices of other people, or sounds other animals make. she is even able to mimic sounds of nature such as the rustling of leaves, or the sound of rain.</ul>
Symphokenetic Limitations:
Prone to sound nullifications: The effects of her songs and abilities do not work if sound cannot operate in the area of which she is in, making her vulnerable to others who have noise cancelling effects, or even being in a sound proof room.
hard of hearing: symphokenesis have little to zero effect on those who are hard of hearing or deaf. the exception would be some of her musical attacks, however even they would have decreased efficacy on those who cannot hear very well.
instrumental knowledge: the efficacy of her powers through an instrumental medium requires her to have knowledge of how to use said instrument
limited mobility: when using Symphokenesis, she needs to focus on the songs she is playing which makes moving around that much harder.
vocal limitations: Shes human, she needs to breathe. given that her voice is an instrument she can wield, the length of how long she can go is dependant on that. similarly, if her vocal cords are affected in some way, she is unable to use her symphokenetic powers effectively, at least where her voice is concerned
easily interruptible: her symphokenesis is reliant on her ability to concentrate, and continue on with her songs. if she is forced to stop her songs in any way, shape or form, the effects of symphokenesis are effectively null and void
Strong-willed individuals: like with most powers that affect the mental state in some way state or form have greater difficulty affecting a person the stronger their will is. As musical empathy only amplifies the emotions that music naturally bring out of people, those who are aware of how to mitigate and have good control over their emotions are much harder to effectively manipulate.
Empathetic wildcards: the effects of music have on people are not the same across the board. even though one can anticipate how most might react to a certain song, there will always be people who will react in a way that cant be anticipated. given the nature of how her empathy works, the emotions of these individuals would also be amplified and, depending on what happens, could negate what she's trying to do to begin with, or make a situations more dangerous than anticipated.
[/list][/list]
Weapons/Items:
She had
her trusty guitar
jewels
metronome
self composed lyrics
a dagger
What she has to use on missions is her guitar and dagger, everything else is left locked up
Appearance
Image:
Physical Appearance:
Lilith isn't the tallest, just a bit shorter than the average female at 5'2 but with her posture, that doesn't seem to matter much. she holds herself up tall with poise, exuding elegance and grace nearly everywhere she goes. She does the best she can to keep up appearances, keeping her long dark brunette hair nice and tamed.
CCClothing and Armor: normally she has it styled down, and she has dark eyes and thick lashes and eyebrows contrasting her pale face. Though she doesnt have the biggest bust, she always looks to accentuate it, along with her hips giving her the illusion of a full bodied woman.
Personality
Bad Habits:
says alot of things in a sing-song voice, always making music with some body party, constantly refers to others in a condescending tone, always looking at her reflection in any reflective surface she passes, always uses a gendered prefix when addressing somebody ( Mr, Ms, Sir ect), speaks properly regardless of conversational context.
Sexual Orientation:
Pansexual
General Personality:
whether in the form of a civilian, or dancing around in the form of Fox Trot, who lilith is and how she presents herself is clear as day in both forms. sickeningly sweet, she more often than not, can be the person you just love to hate, but can't help but to be around her. Always willing to lend a helping hand to those in need, but given that she lives by life style of, you get what you give, her help almost always has strings attached. If she gives you a favor, you owe her a favor of at least of the same gravity of the favor she had given you. Of course, the opposite would also apply, do her a favor and she would be obligated to repay said favor in some way shape, or form.
Lilith deals in subtlety. She is always putting her best foot forward, her best attitude forward, and is always looking her best. No matter what situation she is in, she is always displaying her best manners and never outright insulting a person, but more often using compliments with a double-edged meaning and many of her words are laced in sarcasm. that said, however, Lilith is vain and prideful. what you see is what you get. she doesn't like to compromise her image, and she doesn't change how she acts to cater to the people around her. More often than not, she would expect others to change and mold around her rather than the other way around and knows how to say just the right things most of the time so that it can happen.
Lilith is an ambitious individual, which is amplified by her greed. She has a need for the finer things in life, and will do what she needs to get it. she doesn't like to take no for an answer, if she can help it and will do whatever it takes to reach whatever goal she has set her mind to.
Face/Voice: Laura Mary-Carter
Anything Else
Anything (for this section or for anywhere else in the profile) that you think aren't covered in the sections of this character sheet can go here.
Character's History
Siblings:
None
Mother:
Tabitha Sage Oakley
Father:
Ryett Cooper Oakley
Other Family:
N/A
Grandmother
Maisie Evelynn Davis
History:
LIllibeth was a normal young girl of the deep south. she grew up respecting her elders, she learned her manners and, as part of the upper class society, and like many girls, she took Cotillion classes, getting ready for her Big Debutante ball. She took this seriously, nothing more mattered to her than living up to her family name, having been from one of the bigger, more prominent families. She was happy, and she enjoyed music, she always enjoyed music. she loved being surrounded by it, and she loved dancing. She had two parents that loved her, was very socially inclined and had many friends. Her life was the best life anyone could have possibly lived, Up until the incident that was, and none could see it coming but her Grandmother.
It was at her final Cotillion Ball when it all had happened. Unknown to her, and to her mother who had not inherited the gene from her grandmother, she was a generational mutant. Her powers were similar, yet different and it wasn't even known if she had inherited the mutant gene until it became obvious that she had. Her vibrokenesis and symphokenesis had manifested together, unchecked causing a massive seismic event as the song had stated. the Ballroom in which the final cotillion Ball was being held had collapsed in the accident leaving many gravely injured and many more yet had been killed- including the young girls parents. It was unknown what had happened, earthquakes weren't a common occurrence and even more oddly, the surrounding states had minimal damage. With the Ballroom seemingly being the epicenter of the earthquake, it was unknown who or what was the cause for it and it left the area surrounding the Ballroom just as devastated.
Lillibeth herself was a victim of her own powers coming into fruition. Not only did she lose both her parents, and now under the care of her grandmother, but she was comatose for several months, having sustained several lacerations and a notable head injury. When she came to, she would be greeted with the familiar image of her grandmother, who had embraced her right then and there telling her that the accident was not her fault. Only 14 years of age, she was racked with guilt when she realized that she was the cause of the accident and despite her grandmothers comforting words otherwise, she hasn't since been the same. She saw herself as a criminal, and soon went out and fulfilled that ideation of herself. It started out with petty crime, mostly robberies and soon small time robberies evolved into bank heists and identity theft with very little care on the collateral. She had become known for being able to subdue her opponents. able to be just as subtle as she can cause large scale destruction. Fox trots reign of terror lasted for a short 8 years before her career had come with about a year spent in prison before she had been chosen for a rather.... experimental... government project.
Role Play Sample: Ugh. the color orange looked horrid on her, and these stripes it was just dreadful! she was kept in isolation, her the walls fortified with the strongest steel and soundproof so she couldn't just break herself out of here. just her luck, huh? this wasn't going to be like the last few times, the guards figured out her little tricks. She was given guards who were hard of hearing, not susceptible to her suggestions and sweet, sweet music but that didn't stop the young woman from trying. shes been here before, but this time it seemed more permanent. this was the longest she was kept in a cell and in isolation no less!
it was enough to drive a Lady crazy, she craved the interaction, the thrill another person could give her. she was a social person. being around people made her feel alive... at least she could write songs to pass the time... however much time it was the passed. Inspiration was stale, though. isolation did nothing for bringing her creative materials to make use of there was just massive loneliness. just her.. she... and herself. being alone with her thoughts, it was dangerous to say the least. at least on one occasion she had lost her ladylike demeanor and went ballistic in her room where no one could hear her. she wanted to get out, she needed to get out and then... out of no where, she was out?
not quite it seemed, the guards who grabbed her out of isolation was rough with her, and gave her an injection of a sort in her arm... why? for what reason?
"Excuse me Sir, this is in no way how you treat a lady"
no response, and of course they tied her hands behind her back so she couldn't pull any tricks on them and they made sure to keep her on the move
"I dont see you getting a girlfriend any time soon if this is how you treat the daintier gender"
still, nothing. it was as if they couldn't hear her which was likely the situation, if she was being honest with herself. she was soon thrown into a van, a van that was just as soundproof as the room that she was subjected too for who knows how long of a time. long enough for her appearance to get away with her... god forbid she gets a look at herself in a mirror
General Information
Full Name:
Lilibeth Blossom Oakley
Codename or Alias:
Lilith; Fox Trot
Anonymity
Lilith? Lilith was just a small town country girl with a wicked "alter-ego" but.. well... she's well past having a normal life her crimes have caught up to her, and her identity, while not yet publicly known there isn't much in the way to keep her true identity a secret
Gender:
Female
Race:
Mutant
Age:
25
Place Of Birth:
Cleveland, Mississippi
Occupation/Status:
She was a free-lance musician but... continuing that life in maximum security isn't the easiest...
Alignment:
She can be forced to do here work but she will always be a villain at heart
Factions:
Suicide Squad
Canon Or Original?:
Original
Powers/Abilities:
While somewhat broad, her powers and abilities can be split into two parts, Vibromancy and Symphokenesis; or musical manipulation. she can use these in tandem, and while there is overlap, each individual power comes with its own set of abilities as well as their own set of limitations that are imposed upon her.
Vibromancy:
as of current, she has the ability to manipulate the molecules of her own body, and the molecules of things of which she touches. it's most notably, limited in range and an active power that is comparably draining. Items touched revert to their original form after just a minute of having left her grip. her ability to maintain the manipulation within her own body can be anywhere between 30 seconds to 20 minutes at a time dependant on how much of her body she is manipulating and she is also only able to manipulate through solid mediums. Vibromancy also gives her a sensitivity of the natural vibrations of the world around her.
seismic manipulation- one of the more basic abilities within her vibrokenetic arsenal, she causes quakes in a general area around her, or in a specific direction up to a maximum of 10 feet and up to a level of 6.5 on the ritcher scale.
heightened senses- through the manipulation of the molecules that lead up to her eyes and ears, she can temporarily increase her sight and hearing giving her the ability to see and hear things that is beyond normal human capacity
Seismic attacks- She is able to agument her punches and kicks, as well as the weapons she is holding with vibrations increasing their overall efficacy by allowing them to do more damage, or making sharp weapons, sharper
phasing- She has the ability to phase through solid objects by modifying the vibrations of the cells within her body. She also has an ability to allow a targeted part of her body for solid objects to phase through and she is able to cause other solid objects to phase through with her, given she has direct contact with said object
seismic absorption and immunity- Fox Trot has the ability to absorb seismic activity to both nullify the damage of the seismic wave and to store the energy to use for later so that she doesn't need to exert energy to use her powers. absorbing the energy is short term, and remains stored for up to 5 minutes. while absorbing this energy nullifies it's damage, she must sufficpiently prepare herself to absorb the impact for it to take effect. (like one would need to be prepped to catch a ball)
detection- Fox Trot is able to detect changes in the natural vibration of the earth she is standing on, however minute from up to 10 feet away
counter vibration- through touch, she is able to use her vibrokenetic abilities to create counter-vibrations and destroy the object in question.
VIbromacy Limitations
Exclusively Solid mediums: Using Vibromancy, she is only able to have her vibrations travel through solid mediums, It is unable to travel through air or water (symphokenesis being the exception)
Dampening effects: Fox-trots vibration power is lessened when travelling through mediums that are water logged
energy extensive: creating vibrations is a manipulation of energy and, for one to be able to create energy, one must exert energy. Vibromancy takes a considerable amount of energy, comparable to intense physical activity
greater caloric needs: Fox-trot requires about an average of 30,000 calories per day to remained well nourished compared to the normal persons 10,000. this results in her needing to eat almost constantly, and this need increases the more she actively uses her vibromacy abilities.
Symphokenesis: More commonly known as musical manipulation, Symphokinesis is the manipulation of soundwaves and music. it is, more or less, an aerial extension of her vibromancy however is normally less physically demanding, comparably. while she can use the power of her voice, most of the abilities are more effective when she has a musical medium, which is usually her guitar. while less energy intensive, using symphokinesis leaves her less mobile and the effects are prone to being disrupted. a fair amount of her abilities are "applied vibromancy" or vibrancy through another medium. In these cases the energy expended is just as notable when using vibromancy when it is not applied to an instrument
Musical attacks: Using Vibromancy, she imbues the instrument she wields and turns it into a weapon. She weaponizes the vibrations caused by playing her guitar and uses it to create a wide variety of attacks from more focused sonic attacks to more AoE styles of attacks
Musical empathetic projection: Fox trot is able to amplify a certain type of emotion in others simply by playing a song. the type of emotion that is brought out is dependant on the song that is played. lullabies can calm others, and pop songs can cause others to get excited.
Musical/voice projection: Fox trot is able to throw their voice or their music out, making it seem like it's coming from a place that is completely different from their true position
Musical healing: by playing or singing a certain tune, Fox Trot is able to relax others, and promote faster healing. This ability only quickens the bodys natural process, and it isn't a magical cure but an aid in the way medicine and bandages aid the bodys healing process, but a bit faster
Sound immunity: Fox trot is immune to sound based attacks, and isn't likely to be fooled by sound based tricks and redirections tactics
sound nullification: Aided by vibromancy, Fox trot has gained the ability to nullify the sounds around her up to 5 feet away, as well as the sounds that her own body makes
amplification: Aided by vibromancy, Fox trot is able to Amplify sound from around her, and make it louder so that a whisper sounds like a normal conversation, or a normal conversation can become a deafening yell to those around her
pitch Perfect: Fox trot has the ability to recognize and hear all pitches, even those outside the normal human range of sound. Fox trot is also able to perfectly emulate any pitch shes ever heard, and thus able to mimic the voices of other people, or sounds other animals make. she is even able to mimic sounds of nature such as the rustling of leaves, or the sound of rain.</ul>
Symphokenetic Limitations:
Prone to sound nullifications: The effects of her songs and abilities do not work if sound cannot operate in the area of which she is in, making her vulnerable to others who have noise cancelling effects, or even being in a sound proof room.
hard of hearing: symphokenesis have little to zero effect on those who are hard of hearing or deaf. the exception would be some of her musical attacks, however even they would have decreased efficacy on those who cannot hear very well.
instrumental knowledge: the efficacy of her powers through an instrumental medium requires her to have knowledge of how to use said instrument
limited mobility: when using Symphokenesis, she needs to focus on the songs she is playing which makes moving around that much harder.
vocal limitations: Shes human, she needs to breathe. given that her voice is an instrument she can wield, the length of how long she can go is dependant on that. similarly, if her vocal cords are affected in some way, she is unable to use her symphokenetic powers effectively, at least where her voice is concerned
easily interruptible: her symphokenesis is reliant on her ability to concentrate, and continue on with her songs. if she is forced to stop her songs in any way, shape or form, the effects of symphokenesis are effectively null and void
Strong-willed individuals: like with most powers that affect the mental state in some way state or form have greater difficulty affecting a person the stronger their will is. As musical empathy only amplifies the emotions that music naturally bring out of people, those who are aware of how to mitigate and have good control over their emotions are much harder to effectively manipulate.
Empathetic wildcards: the effects of music have on people are not the same across the board. even though one can anticipate how most might react to a certain song, there will always be people who will react in a way that cant be anticipated. given the nature of how her empathy works, the emotions of these individuals would also be amplified and, depending on what happens, could negate what she's trying to do to begin with, or make a situations more dangerous than anticipated.
[/list][/list]
Weapons/Items:
She had
her trusty guitar
jewels
metronome
self composed lyrics
a dagger
What she has to use on missions is her guitar and dagger, everything else is left locked up
Appearance
Image:
Physical Appearance:
Lilith isn't the tallest, just a bit shorter than the average female at 5'2 but with her posture, that doesn't seem to matter much. she holds herself up tall with poise, exuding elegance and grace nearly everywhere she goes. She does the best she can to keep up appearances, keeping her long dark brunette hair nice and tamed.
CCClothing and Armor: normally she has it styled down, and she has dark eyes and thick lashes and eyebrows contrasting her pale face. Though she doesnt have the biggest bust, she always looks to accentuate it, along with her hips giving her the illusion of a full bodied woman.
Personality
Bad Habits:
says alot of things in a sing-song voice, always making music with some body party, constantly refers to others in a condescending tone, always looking at her reflection in any reflective surface she passes, always uses a gendered prefix when addressing somebody ( Mr, Ms, Sir ect), speaks properly regardless of conversational context.
Sexual Orientation:
Pansexual
General Personality:
whether in the form of a civilian, or dancing around in the form of Fox Trot, who lilith is and how she presents herself is clear as day in both forms. sickeningly sweet, she more often than not, can be the person you just love to hate, but can't help but to be around her. Always willing to lend a helping hand to those in need, but given that she lives by life style of, you get what you give, her help almost always has strings attached. If she gives you a favor, you owe her a favor of at least of the same gravity of the favor she had given you. Of course, the opposite would also apply, do her a favor and she would be obligated to repay said favor in some way shape, or form.
Lilith deals in subtlety. She is always putting her best foot forward, her best attitude forward, and is always looking her best. No matter what situation she is in, she is always displaying her best manners and never outright insulting a person, but more often using compliments with a double-edged meaning and many of her words are laced in sarcasm. that said, however, Lilith is vain and prideful. what you see is what you get. she doesn't like to compromise her image, and she doesn't change how she acts to cater to the people around her. More often than not, she would expect others to change and mold around her rather than the other way around and knows how to say just the right things most of the time so that it can happen.
Lilith is an ambitious individual, which is amplified by her greed. She has a need for the finer things in life, and will do what she needs to get it. she doesn't like to take no for an answer, if she can help it and will do whatever it takes to reach whatever goal she has set her mind to.
Face/Voice: Laura Mary-Carter
Anything Else
Anything (for this section or for anywhere else in the profile) that you think aren't covered in the sections of this character sheet can go here.
Character's History
Siblings:
None
Mother:
Tabitha Sage Oakley
Father:
Ryett Cooper Oakley
Other Family:
N/A
Grandmother
Maisie Evelynn Davis
History:
LIllibeth was a normal young girl of the deep south. she grew up respecting her elders, she learned her manners and, as part of the upper class society, and like many girls, she took Cotillion classes, getting ready for her Big Debutante ball. She took this seriously, nothing more mattered to her than living up to her family name, having been from one of the bigger, more prominent families. She was happy, and she enjoyed music, she always enjoyed music. she loved being surrounded by it, and she loved dancing. She had two parents that loved her, was very socially inclined and had many friends. Her life was the best life anyone could have possibly lived, Up until the incident that was, and none could see it coming but her Grandmother.
It was at her final Cotillion Ball when it all had happened. Unknown to her, and to her mother who had not inherited the gene from her grandmother, she was a generational mutant. Her powers were similar, yet different and it wasn't even known if she had inherited the mutant gene until it became obvious that she had. Her vibrokenesis and symphokenesis had manifested together, unchecked causing a massive seismic event as the song had stated. the Ballroom in which the final cotillion Ball was being held had collapsed in the accident leaving many gravely injured and many more yet had been killed- including the young girls parents. It was unknown what had happened, earthquakes weren't a common occurrence and even more oddly, the surrounding states had minimal damage. With the Ballroom seemingly being the epicenter of the earthquake, it was unknown who or what was the cause for it and it left the area surrounding the Ballroom just as devastated.
Lillibeth herself was a victim of her own powers coming into fruition. Not only did she lose both her parents, and now under the care of her grandmother, but she was comatose for several months, having sustained several lacerations and a notable head injury. When she came to, she would be greeted with the familiar image of her grandmother, who had embraced her right then and there telling her that the accident was not her fault. Only 14 years of age, she was racked with guilt when she realized that she was the cause of the accident and despite her grandmothers comforting words otherwise, she hasn't since been the same. She saw herself as a criminal, and soon went out and fulfilled that ideation of herself. It started out with petty crime, mostly robberies and soon small time robberies evolved into bank heists and identity theft with very little care on the collateral. She had become known for being able to subdue her opponents. able to be just as subtle as she can cause large scale destruction. Fox trots reign of terror lasted for a short 8 years before her career had come with about a year spent in prison before she had been chosen for a rather.... experimental... government project.
Role Play Sample: Ugh. the color orange looked horrid on her, and these stripes it was just dreadful! she was kept in isolation, her the walls fortified with the strongest steel and soundproof so she couldn't just break herself out of here. just her luck, huh? this wasn't going to be like the last few times, the guards figured out her little tricks. She was given guards who were hard of hearing, not susceptible to her suggestions and sweet, sweet music but that didn't stop the young woman from trying. shes been here before, but this time it seemed more permanent. this was the longest she was kept in a cell and in isolation no less!
it was enough to drive a Lady crazy, she craved the interaction, the thrill another person could give her. she was a social person. being around people made her feel alive... at least she could write songs to pass the time... however much time it was the passed. Inspiration was stale, though. isolation did nothing for bringing her creative materials to make use of there was just massive loneliness. just her.. she... and herself. being alone with her thoughts, it was dangerous to say the least. at least on one occasion she had lost her ladylike demeanor and went ballistic in her room where no one could hear her. she wanted to get out, she needed to get out and then... out of no where, she was out?
not quite it seemed, the guards who grabbed her out of isolation was rough with her, and gave her an injection of a sort in her arm... why? for what reason?
"Excuse me Sir, this is in no way how you treat a lady"
no response, and of course they tied her hands behind her back so she couldn't pull any tricks on them and they made sure to keep her on the move
"I dont see you getting a girlfriend any time soon if this is how you treat the daintier gender"
still, nothing. it was as if they couldn't hear her which was likely the situation, if she was being honest with herself. she was soon thrown into a van, a van that was just as soundproof as the room that she was subjected too for who knows how long of a time. long enough for her appearance to get away with her... god forbid she gets a look at herself in a mirror
